| The weaving glass art combines the fusing skills with | | | | glass. So, I started to focus my attention on producing |
| the weaving glass manipulating skills in order to achieve | | | | my own colors, because the existing color range was |
| a final artwork. I like to believe about myself that I'm a | | | | very limited. Then I began creating my own patterns |
| fused glass artist. Throughout my work I try to form | | | | out of clay, into different shapes that seemed |
| gestures that would open the mind of the observer in | | | | interesting and attractive. |
| order to enjoy the textures in an impulsive | | | | After the glass elements are slumped into these |
| communication between function and form. I begun y | | | | shapes, the result of these quite a few procedures of |
| layering several glass strips for capturing air bubbles | | | | maneuvering the glass shape a unique and diverse |
| inside the glass movement as a method to improve | | | | work that is texturally enjoyable. |
| the gesture of form. The Weaving Glass art combines | | | | I started to focus on producing quality objects that |
| the fusing skills with the weaving glass manipulating | | | | reveal the conversion of the glass material and forced |
| skills in order to achieve a final artwork. I like to believe | | | | it into a shape different from what it should actually be; |
| about myself that I'm a fused glass artist. Throughout | | | | an apparently unfeasible shaping of the glass. Then, I |
| my work I try to form gestures that would open the | | | | made a very rare colorful glass texture. To sense the |
| mind of the observer in order to enjoy the textures in | | | | true depth and texture of these items you must |
| an impulsive communication between function and | | | | necessarily touch them. My glass c carpets offer the |
| form. I begun y layering several glass strips for | | | | viewers the chance of traveling on their on imaginary |
| capturing air bubbles inside the glass movement as a | | | | ride. |
| method to improve the gesture of form. | | | | My greatest pleasure is when I open the kiln and find |
| These pieces gave me the idea to test weaving glass | | | | out what happened inside during the heating hours. I |
| as tapestry. After a large number of kiln tests I started | | | | usually am very surprised myself by the magical |
| to understand that it's possible to produce fabric out of | | | | aspect of the items I've produced. |