| In the zone | | | | proceedings. There are no photo faces; it's almost as if |
| In the zone is a term used by street photographers | | | | the photographer is invisible. |
| when they are tuned into their surroundings and the | | | | Canadian street photographer John Brownlow talks |
| pictures are coming easily. | | | | about going blank, he surveys the scene through his |
| It isn't unique to street photography, it can happen in | | | | camera until he goes blank and that is when he |
| any field of endeavour. You are in the zone when you | | | | presses the shutter. |
| are so engrossed in an activity that space and time | | | | With painting, writing or gaming it can last for |
| seem to stand still. What seems like minutes to you | | | | considerable amounts of time, with street photography |
| can be hours in the real world. It is that place where | | | | it tends to be fleeting but can happen several times in |
| you are doing rather than thinking about doing, there is | | | | a shoot. It is the dynamic of the street, the ever |
| no thought about the how, it is just happening. | | | | changing kaleidoscope of activity, and the nature of |
| Intuition is in the driver's seat, training, knowledge, | | | | photography, the captured moment in time, that make |
| experience and rational thought are at the back of the | | | | it so. |
| bus. More than likely playing strip poker or engaged in | | | | But it is in those moments that the inspirational pics |
| some other childish pursuit. | | | | happen. Although this is not apparent until later, when |
| It is the street photographer's nirvana. They are one | | | | looking through the results of your walk, because |
| with the street. They are part of and at the same time | | | | rational thought is losing their shirt at the back of the |
| removed from the activity that is happening. They are | | | | bus. |
| the objective viewer of the dance they are dancing. | | | | When a street photographer takes their camera for a |
| Their presence is integral to the action and accepted | | | | walk, this is their destination. |
| by the other participants without influencing the | | | | |